PODCAST: Neil French.

Former rent collector, bull-fighter, porn director, klacker salesman, Judas Priest manager, account man, copywriter, art director and Chief Creative Officer of Ogilvy Worldwide. (Warning: Some areas of the recording may have been adversely effected by a rioja.) BLACKER HYDE ASSOCIATES Ltd. An early Neil French concept. HOLMES KNIGHT RITCHIE. BATEY SINGAPORE. THE BALL PARTNERSHIP. The only known picture of Neil without a cigar. My tattered copy of Neil’s book. I recommend it.Read more

NOT IN-CAMERA: Giles Revell.

Where did you grow up? The sleepy town of Sawbridgeworth, it’s on the Hertfordshire and Essex border. When did you take your first picture? There was no eureka moment, I inherited my grandfather’s Silver Ilford Sportsman.I do remember being intrigued by its beauty; a matt silver finish with shiny brown hinged leather case. I wore it across my waist in my early teens, but had no idea what I was doing with it. It felt sophisticated, technical, way beyond anything I’d ever come inRead more

LESTER BOOKBINDER: Advertising.

The third and last post on Lester Bookbinder, unless by some miracle I get to interview him. If I thought finding the pictures was tough that was nothing compared to finding the words. But here’s what I’ve managed to discover. a) He was born in New York City in 1929. b) He trained with the photographer Reuben Samberg. c) He opened his own studio in 1955. d) He moved to London in 1959. e) Long before the New York Police Chief Bill Bratton started talkingRead more

IPA POSTERS: Investment opportunity.

It’s tough for newbie creatives to get noticed. If you aren’t in an agency that produces good work it’s hard to produce good work. If you don’t produce good work it’s hard to get a job in an agency that does. One of the ways around this is to find a client that will accept good. Up and coming copywriters Mike McKenna and Alastair Wood spotted one of these opportunities back in the late eighties; The IPA Society, they heldRead more

O’CONNOR DOWSE: A successful ad.

  It’s one of the first campaigns I ever made. The agency was Cromer Titterton, my writer was Alastair Wood, the typographer was Andy Dymock and the photographer was Duncan Sim. But the key person involved was the photographer’s assistant, a scruffy, curly-haired Brummie called ‘Malc’. We shot for three weeks to get the three shots above. Malc was treated like a 17th century slave. We shot in the freezing, windy Highlands of Scotland, at the end of the day DuncanRead more