Hands Up Who’s Heard Of ‘Environmental Portraits’?

Not me. Well, not until last week. Don’t get me wrong, I knew portraits had been taken in environments, I’m no fool, but I didn’t realise it was a genre with its own name. Environmental Portraits are portraits that have been “executed in the subject’s usual environment, such as in their home or workplace, and typically illuminates the subject’s life and surroundings”. It turns out that one of my favourite portrait photographers, Arnold Newman, was it’s father of Environmental Photography. (Although he hatedRead more

TOP TEN TYPE TIPS.

I find this whole Facebook situation really disappointing. Sometimes you just have to do the right thing, regardless of cost.  I mean, how much money do they need? FACEBOOK: YOU HAVE A MARKET CAP OF $494bn, hire yourself a typographer! I keep spotting my mate Dave, (a future podcast guest, when I can pin the fucker down), and at the bottom of the ads I’m reminded that overhanging punctuation hasn’t hit Facebook yet. It got me thinking. Maybe someone elseRead more

PODCAST: Paul Weiland.

Unfortunately I seem to keep writing the same intros to these interviews; ‘Wow! I knew Person X was good, that’s why I wanted to interview them, but having gone through their archives I’d forgotten just how much great they’d done’. But never has this been more true. Today, in the ad world, Paul is best known as the director of the Walker’s Crisps ads featuring Gary Lineaker. (He’s shot about 150 of them over the last 20 years.) It’s probablyRead more

PODCAST: Tim Riley.

Words. Boy, they’ve really fallen off their perch. They used to be so respected, as were the people who knew how to use them. They could breathe life into cold, dead facts, in their hands ‘our beer costs a lot’  could become ‘Reassuringly expensive’. Better and shorter. Writers would often burn the midnight oil in an effort to get the maximum meaning from the minimum word count. It’s odd, because people have never read more than they do today, Facebook, Twitter,Read more

INTERVIEW: Sir Alan Parker.

Sir Alan, where did you grow up? I grew up in Islington. Ours were the first council flats built after the war and I moved in aged about three or four. Ironically, the flats overlooked the street where my Dad was born and brought up. (My Grandad was the local barber and the family were evacuated in the war when a bomb hit St Mary’s Church close to their shop. He was also the local bookie—illegal then—and so they movedRead more

100th post. (Well, nearly.)


Full disclosure; it’s actually the 113th. But I noticed that when blogs or podcasts hit a significant number they do a kind of round-up, like a kind of house-keeping thing, so here’s mine. 10 THINGS I’VE LEARNT ABOUT BLOGGING. 1. BLOGS HAVE A LIFE OF THEIR OWN. MAY 2002: My friend Paul buys me davedye.com. OCT 2013: I decide to bung all my old work on it, for easy access. NOV 2013: It’s a bit chaotic. Having presented the workRead more

PODCAST: Tony Davidson Pt. 2.

The Wieden years. It’s weird, I only interview people whose work I really like, but whenever I lay their work out end-to-end, I’m always surprised at how much better it is than I’d remembered. It could be that there’s much more of it, the sheer consistency of it or that it appears better with the benefit of time and a bit of distance. All three are true of the work in this post. Tony does a good job of shiningRead more

PODCAST: Mark Reddy.

‘Art Director’ is an unhelpful title. It has nothing to do with Art and very little to do with directing. Some think it’s about making stuff look cool, I think it’s about communicating at speed. We work in a medium people are actively trying to ignore, so we can’t hang around. Art Director’s can only communicate quickly if the understand: a) Their basic toolkit; photography, film, illustration, editing, cropping, fonts, colours and the rest. b) The world around them: how humans behave,Read more

GREEN BOOKS: Type 5.

Obviously there’s more Fred & Fabien, but probably the most interesting things in there are the bits of old typesetting I rescued from the Leagas Delaney bin. The studio was going all digital, so PMT machines, drawing desks, wax machines, art-workers a and bits of old setting were dumped. I managed to save a few bits of setting, if you eat a lot of carrots and have 20/20 vision you’ll be able to spot a few cut marks between someRead more