PODCAST: Tim Riley.

Words. Boy, they’ve really fallen off their perch. They used to be so respected, as were the people who knew how to use them. They could breathe life into cold, dead facts, in their hands ‘our beer costs a lot’  could become ‘Reassuringly expensive’. Better and shorter. Writers would often burn the midnight oil in an effort to get the maximum meaning from the minimum word count. It’s odd, because people have never read more than they do today, Facebook, Twitter,Read more

PODCAST: Graham Fink. (Part 1.)

Context. It’s the word that comes to mind every time I think about writing one of these intros. What seems familiar today was once considered very left-field, risky or just plain crazy. Each pushes the peanut along for the next generation. Take the 1988 D&AD Annual, it’s hard to believe now, but all but one ad in the press and poster section had black headlines, the one that didn’t was Graham Fink’s Metropolitan Police campaign. I was a generation behindRead more

PODCAST: Nick Gill.

He’s never tried to become his own brand, hang out at the right clubs or promote himself. He doesn’t bounce from jury to jury, job to job or club to club. And you’ll never read his latest theory on marketing in the trade mags. Nick Gill is currently Chief Creative Officer of BBH, his third agency in 30 years. We had a great chat, hope you enjoy. COLLEGE. BMP. Clark’s. Tjaerborg. Fisher-Price. John Smith’s. Health Education Association. Abbey Life. Sport Aid. Batchelors. NewRead more

IN-CAMERA 8: Geof Kern. (Part 1.)

Like most people I’m a fan of the likes of Cartier-Bresson, Don McCullin and Martin Parr, photographers who go out into the world and record it in a ways we may not have seen or imagined. But I LOVE photographers who go out and create their own world using their own unique, idiosyncratic set of aesthetics. I recently posted lots of my old green scrap books and one name that kept coming up again and again; Geof Kern, one ofRead more

INTERVIEW: Sir Alan Parker.

Sir Alan, where did you grow up? I grew up in Islington. Ours were the first council flats built after the war and I moved in aged about three or four. Ironically, the flats overlooked the street where my Dad was born and brought up. (My Grandad was the local barber and the family were evacuated in the war when a bomb hit St Mary’s Church close to their shop. He was also the local bookie—illegal then—and so they movedRead more

100th post. (Well, nearly.)


Full disclosure; it’s actually the 113th. But I noticed that when blogs or podcasts hit a significant number they do a kind of round-up, like a kind of house-keeping thing, so here’s mine. 10 THINGS I’VE LEARNT ABOUT BLOGGING. 1. BLOGS HAVE A LIFE OF THEIR OWN. MAY 2002: My friend Paul buys me davedye.com. OCT 2013: I decide to bung all my old work on it, for easy access. NOV 2013: It’s a bit chaotic. Having presented the workRead more

PODCAST: Tony Davidson Pt. 2.

The Wieden years. It’s weird, I only interview people whose work I really like, but whenever I lay their work out end-to-end, I’m always surprised at how much better it is than I’d remembered. It could be that there’s much more of it, the sheer consistency of it or that it appears better with the benefit of time and a bit of distance. All three are true of the work in this post. Tony does a good job of shiningRead more

PODCAST: Mark Reddy.

‘Art Director’ is an unhelpful title. It has nothing to do with Art and very little to do with directing. Some think it’s about making stuff look cool, I think it’s about communicating at speed. We work in a medium people are actively trying to ignore, so we can’t hang around. Art Director’s can only communicate quickly if the understand: a) Their basic toolkit; photography, film, illustration, editing, cropping, fonts, colours and the rest. b) The world around them: how humans behave,Read more

GREEN BOOKS: Type 5.

Obviously there’s more Fred & Fabien, but probably the most interesting things in there are the bits of old typesetting I rescued from the Leagas Delaney bin. The studio was going all digital, so PMT machines, drawing desks, wax machines, art-workers a and bits of old setting were dumped. I managed to save a few bits of setting, if you eat a lot of carrots and have 20/20 vision you’ll be able to spot a few cut marks between someRead more

PODCAST: Ben Priest.

The arc of most creative agencies tends to be very similar; start idealistic and creative, become less principled and duller over the years as the realities of finance, earn-outs and fatigue start to kick in. Adam & Eve are like the Benjamin Button of ad agencies. They started burdened by the financial realities due to a situation called ‘Sorrell’. Having come through the early sensible years they seem to grow more creative as each year goes by. They won noRead more