You can’t advertise a product unless you can get attention. You can’t get attention without standing out. You can’t stand out without being different. You can’t do different if you think the same. If you think different, you’re are different. But, being different is a problem in ad agencies. A BBH Planner once complained ‘the problem with this place is they can’t accommodate black sheep’. Equally, I doubt TBWA embrace disruptive people to create disruptive work. Why hire people who challengeRead more
Posts tagged: #Colin Millward
PODCAST: Alan Brooking.
I’m guessing you’re not as familiar with that name as were with others I’ve posted? But you’ll be familiar with his work. Saatchi’s ‘Pregnant Man’? BBH’s ‘Black Sheep’ poster? CDP’s ‘Wolf In Sheeps Clothing’? Yes? All shot by Alan. Because they’re such a fantastic ideas, they look as though anybody could’ve shot them. The images are so simple and clear you can’t imagine done them any other way. But each is the end result of a series of choices. TakeRead more
Hands Up Who’s Heard Of GEOFFREY SEYMOUR?
ADVERTISING’S OSCAR WILDE. An appreciation of the work of Geoffrey Seymour. By Mike Everett. It is one of the great ironies of the advertising business that one of its most talented writers is better remembered for his salary than his work. When he joined Saatchi & Saatchi in 1982, Geoff Seymour was paid £100,000 a year, a sum of money that soon became known in advertising circles as a ‘Seymour’. It may have been as an eye-watering amount at theRead more
PODCAST: Sir Frank Lowe.
“Frank Lowe single-handedly cajoled a whole generation of writers, art directors and film directors into revolutionising British and world advertising.” – Sir Alan Parker. It seemed a bit over the top. I know he was very good and had a big impact on the business, but ‘single-handedly’? I guess Alan is his mate, so probably bigged him up a bit. Having just spent three hours nose to nose with Frank, I got a taste of what Alan was talking about. I can’tRead more
AUTHOR seeks PUBLISHER for short-term RELATIONSHIP.
I’ve found a great book on advertising; ‘Methods of the Madmen’. The only problem is it’s not available. It’s been written by a friend of mine, Mike Everett, as well as writing the book Mike wrote many great ads whilst at Collett’s and Lowe’s, including the Olympus David Bailey campaign, the freaky ‘Wrangler. That’s what’s going on’, Birds Eye’s ‘Dishonest woman’ and a bunch of Hamlet ads to name but a few. He’s kindly allowed me to feature a few chapters hereRead more
INTERVIEW: Sir Alan Parker.
Sir Alan, where did you grow up? I grew up in Islington. Ours were the first council flats built after the war and I moved in aged about three or four. Ironically, the flats overlooked the street where my Dad was born and brought up. (My Grandad was the local barber and the family were evacuated in the war when a bomb hit St Mary’s Church close to their shop. He was also the local bookie—illegal then—and so they movedRead more
INTERVIEW: John O’Driscoll.
Where were you brought up John? Before I answer that question are you sure about this interview? I don’t give short answers and have a tendency to go on a bit! Ask my family! Yeah, I’ve heard that. I was born and bred in a Surrey village called Hersham. Birth place of Julie Andrews and Jimmy Pursey of Sham 69. What was the first ad you remember? It wasn’t until I was 13 that I remember seeing an advert thatRead more
B&H, Part 2: The surreal years.
I used to walk past this poster every week for about a year. I was fifteen, my Art teacher had got hold of a life size billboard poster, a 48 sheet, or I should say 48 sheets. It was twenty or thirty foot long, and papered the entire corridor that lead to our classroom. We were all bemused by it at first, just a close-up of an electric circuit board? weird? Was it even an ad? Then we found the gold pack-shot.Read more
INTERVIEW: Mike Cozens.
Where were you bought up? Farley Road, Catford, S.E.6. Mr Smiths was where the Richardson Gang had their 1966 Gangland slaying. My Mum worked there. Frankie Frazer used to escort her up the Road. He famously said ‘I’ll take you home Lilly, you meet some dodgy characters around here’. That’s where I was dragged up. Was advertising your first choice? Not exactly. I was invited to leave Haberdashers Askes at the age of sixteen. Fortunately the only teacher whoRead more
IN-CAMERA 4: Max Forsythe.
Where did you grow up? I grew up in Newry in Northern Ireland, a great place to live before religion destroyed it. When did you take your first picture? Probably in my teens, my uncle was a wedding photographer, so I used his half plate camera. I took a lot more serious pictures on a trip to the US when I was 18. What was your first job? I was an Assistant Art director at what was then Hobson Grey.Read more
B&H Part 1: The ‘Gold Box’ Years.
In 1962, a bright, shiny new agency Collett Dickerson Pearce was offered a big account, the DuMaurier cigarette brand. This good news was particularly timely, as many at the fledgling agency were starting to worry their jobs. The agency turned the offer down. Founder John Pearce told the potential client the brand was a ‘dead duck’, and he didn’t want his agency to work with ‘no-hope brands’ or brands that they didn’t truly believe would respond to advertising. But being a decent sort of chap, MrRead more