I’ve been on a bit of a Fallon McElligott tear recently. American awards annuals were stuffed with an obscene amount of their work, for over two decades. As varied as the work is, whether it’s Rolling Stone’s Perception/Reality campaign, Porsche’s ‘About as fast as you can go without eating airline food’, BMW Films, Miller’s ‘Evil Beaver’, Citibank’s ‘Live Richly’, it all has that same joyous vibe. You can sense that people enjoyed creating it. So expect a bunch of FallonRead more
Posts tagged: #Roy Grace
Hands Up Who’s Heard Of CHARLIE PICCIRILLO?
Before we had this thing we had books. There were few about advertising. Aside from the awards annuals, there was one by Jerry Della Femina, but it didn’t have any pictures. One by David Ogilvy, but he wasn’t exactly popular at the time. George Lois had a giant square one, which was good. Then there was Bill Bernbach’s Book. Different league. The gold standard. Our bible. Virtually all creatives owned a copy. We didn’t know who’d done ads as thereRead more
WHAT I LIKED before I knew what I was SUPPOSED TO LIKE – Ben Kay
Finally, I’ve made it! Here I am on the prestigious Dave Dye blog, presumably with a pink circle covering my face on some random old image (however, now that I’ve written that I fully expect Dave to put the circle over the other advertising Ben Kay, the former head of planning at Y&R. Or maybe the rugby player). Dave has kindly asked me to do a post on the advertising I liked before I knew what I was supposed toRead more
THE MOST UNFASHIONABLE FORM OF ADVERTISING?
What was the last product demo you saw? Not on Facebook, Twitter or Instagram, they’re all over those, but on tv, billboards or press (does press still exist?). You just don’t see agencies doing them anymore. Odd, because, and I hope I’m not giving away any trade secrets here, the goal of most advertising is to persuade people that the product featured is good. Ideally, REALLY good. So showing it in action, performing well, seems like it might be aRead more
BULLSEYE!
I worked with Sean Doyle for roughly 12 years. One morning, about six years in, Sean threw a scruffy ball of paper over to my side of the desk – ‘I did us a logo’. It was like a miracle; Our names fit together perfectly, symmetrically, what were the chances? It was worth putting it together even if just to enter for awards. I turned the scribble into type. That wasn’t how Sean had imagined it. DYE was too dominant.Read more
PODCAST: Gary Goldsmith
Pick up any New York Art Directors Club Annual from the sixties and you can feel the heat coming off the pages. The Writers are using words previously confined to conversation, the Art Directors are trying to find new ways to present the information (‘Creating new pages’ as Helmut Krone put it.) Then, the seventies. A whole different story; the experimentation and energy appear to have dried up. True, there are still lots of good thoughts and lines, but inRead more