PODCAST: Graham Fink. (Part 1.)

Context. It’s the word that comes to mind every time I think about writing one of these intros. What seems familiar today was once considered very left-field, risky or just plain crazy. Each pushes the peanut along for the next generation. Take the 1988 D&AD Annual, it’s hard to believe now, but all but one ad in the press and poster section had black headlines, the one that didn’t was Graham Fink’s Metropolitan Police campaign. I was a generation behindRead more

IN-CAMERA 6: Barney Edwards.

”Question why anyone would be interested in this picture? What should be excluded or included to make it a better picture?“ – Barney Edwards. Where did you grow up? In my head, on the road, to a soundtrack. 04:00 Pre- Dawn. Sinai Desert. Cold. Dark. The door of our tin roofed Nissan hut thrown open wide. Shoal, a massive, Romanian-Israeli Army Dive Master towered over us, in Buddy Holly specs, accompanied by his growling Alsatian bitch. Shouting in broken English and Israeli.Read more

INTERVIEW: Jeremy Sinclair.

Occasionally, very occasionally, a client will ask me advice on how they should judge their advertising. It’s easy to tell a terrible ad from a great one, but it’s rare to have such a big gap between ideas. A more likely comparison be trying to assess average against quite good? good against great? Some creative people will advise that ‘If it’s right, you’ll feel it in your gut’. Sometimes true, but not really helpful. I tend to give them a copy of the page above.Read more