Last week, Vikki Ross asked me to do one of her Copy Safaris. A stroll around London judging advertising in the wild, then posting on Twitter. One of the good things is that you don’t pick and choose, you comment on everything; the good, the bad and the fugly. One of the benefits of having to give an instant take, often on the move, is you can’t overthink it, you react more like the rest of the people on theRead more
Posts tagged: #SPDC&J
GREEN BOOKS: Type 3.
It’s always weird looking back through these books. Like looking at those insects trapped in a chunk of amber. There they were, right in the middle doing something, simply walking or picking their nose, frozen in time. These books are a bit like that, a snapshot of what was happening at a certain moment in time, captured chronologically. (Encased in green this time, not amber.) This moment is ’93 to ’94, type & graphics, and what an odd moment itRead more
PODCAST: Ben Priest.
The arc of most creative agencies tends to be very similar; start idealistic and creative, become less principled and duller over the years as the realities of finance, earn-outs and fatigue start to kick in. Adam & Eve are like the Benjamin Button of ad agencies. They started burdened by the financial realities due to a situation called ‘Sorrell’. Having come through the early sensible years they seem to grow more creative as each year goes by. They won noRead more
IN-CAMERA 1: Brian Griffin.
You grew up in the land of the Brum? I was actually born in the Children’s Hospital in Birmingham, although I grew up in the Black Country in a town called Lye. Art College? I worked in engineering until I was 21, so as a mature student I studied at Manchester Polytechnic School of Photography. Did they teach you anything useful? How to lose your virginity and smoke. When did you take your first picture? As an amateur around 1965,Read more
BOSS No.5: Mark Denton.
Why advertising Mark? It all happened by accident. I was quite good at drawing as a kid and my Uncle had gone to Art School and had ended up as a Silversmith. The Dentons weren’t that imaginative (they all worked in the Family Scrap business) so ‘good at drawing’ meant that I should go to Art School too. My Mum thought I could get a job as one of those people who paint the patterns on the edge of platesRead more