PODCAST: Me. (Pt. 1)

A lot of people have suggested that I do a podcast on myself. Aside from the obvious difficulties of trying to ask yourself probing questions, it felt a little bit indulgent, particularly as I did a whole series of them with my friend Ben Kay, (I think we recorded more episodes than the latest season of Game Of Thrones). But when someone who’s kindly agreed to be interviewed by me asks me to be interviewed by them, it feels rude to sayRead more

BOSS No.5: Mark Denton.

Why advertising Mark? It all happened by accident. I was quite good at drawing as a kid and my Uncle had gone to Art School and had ended up as a Silversmith. The Dentons weren’t that imaginative (they all worked in the Family Scrap business) so ‘good at drawing’ meant that I should go to Art School too. My Mum thought I could get a job as one of those people who paint the patterns on the edge of platesRead more

GREEN BOOKS: Photos 3.

Another green scrapbook. (For the young people out there, a scrapbook is a kind of pre-internet, analogue way of bookmarking web pages, only heavier and, as it turns out, longer lasting.) This one is full of photographic reference. It’s from about 1993/4, when Satoshi Saikusa, Raymond Meier and Rolling Stone Magazine were all the rage. At least they were in my world. There’s a couple of images in there I’d forgotten all about. They are screaming tortured heads. Almost like Francis Bacon,Read more

O’CONNOR DOWSE: A successful ad.

  It’s one of the first campaigns I ever made. The agency was Cromer Titterton, my writer was Alastair Wood, the typographer was Andy Dymock and the photographer was Duncan Sim. But the key person involved was the photographer’s assistant, a scruffy, curly-haired Brummie called ‘Malc’. We shot for three weeks to get the three shots above. Malc was treated like a 17th century slave. We shot in the freezing, windy Highlands of Scotland, at the end of the day DuncanRead more