COPY SAFARI THOUGHTS.

Last week, Vikki Ross asked me to do one of her Copy Safaris. A stroll around London judging advertising in the wild, then posting on Twitter. One of the good things is that you don’t pick and choose, you comment on everything; the good, the bad and the fugly. One of the benefits of having to give an instant take, often on the move, is you can’t overthink it, you react more like the rest of the people on theRead more

PODCAST: Malcolm Venville

Whoever it’s with, whenever I do these podcasts, personal links seem to turn up along the way. Things I’d forgotten or been unaware of – Paul Weiland was once my landlord, I judged the One Show with Gerry Graf 15 years earlier, David Holmes drew a poster for me 25 years earlier. This isn’t like that, this time it really is personal (isn’t that the Jaws 2 strap line?) Malcolm and I started out together; he’d shoot pictures for free,Read more

Another post about radio advertising. (Sorry.)

There may even be another one, along with Paul Burke I’m trying to track down the 100 best radio ads. (If you have any send them in.) But onto this one, one of the surprising joys of doing this blog is unexpected things that turn upon my doorstep. Proofs, agency brochures, old DVDs, all manner of ephemera. (Or ‘crap’ as my wife calls it.). It’s lead me to post blogs on David Abbott’s BT Pitch, Fallon McElligott’s Rolling Stone campaignRead more

THE WALL.

It’s what you hit when you run a marathon. A sudden loss of energy followed by your body telling you ‘I’m done, it’s all over’. But keep putting one foot in front of the other and pretty soon you’re through to the other side, with renewed energy. I was teaching students at the SCA2 last Friday, and was reminded that as creatives we also face a walls, (not physical ones, obviously, they were torn down years ago to make roomRead more

PODCAST: Mark Reddy.

‘Art Director’ is an unhelpful title. It has nothing to do with Art and very little to do with directing. Some think it’s about making stuff look cool, I think it’s about communicating at speed. We work in a medium people are actively trying to ignore, so we can’t hang around. Art Director’s can only communicate quickly if the understand: a) Their basic toolkit; photography, film, illustration, editing, cropping, fonts, colours and the rest. b) The world around them: how humans behave,Read more

NOT IN-CAMERA: Giles Revell.

Where did you grow up? The sleepy town of Sawbridgeworth, it’s on the Hertfordshire and Essex border. When did you take your first picture? There was no eureka moment, I inherited my grandfather’s Silver Ilford Sportsman.I do remember being intrigued by its beauty; a matt silver finish with shiny brown hinged leather case. I wore it across my waist in my early teens, but had no idea what I was doing with it. It felt sophisticated, technical, way beyond anything I’d ever come inRead more

INTERVIEW: Andy McLeod.

Why advertising? I was quite quick tongued, bright at school, without being very academically gifted or driven. I cared about ‘stuff’ in general, zeitgeisty stuff; trends, tribes, what was cool what wasn’t, what was funny what wasn’t. I liked art and English at school and not much else. Got not very good A-level grades, which led me to Bristol Polytechnic to do a two year course in Business studies with advertising. The advertising bit of it was 1 hour aRead more

BUDWEISER: Heritage isn’t sacrilege.

This was a very popular ad when I turned up at Bishopsbridge Road. When the client asked for more they were told the cupboard was bare, it was a one-off. New fangled beers were popping up in the more fashionable bars every week, Budweiser needed a campaign to give them a bit of cache. Sean Doyle and I were briefed on a campaign aimed at readers of the Face, Wallpaper and ID, what’s the technical term for them? Fashionistas? Opinion formers?Read more

VOLKSWAGEN SHARAN: Wrong and right.

BRIEF: Dads need a break, Volkswagen Sharan’s roomy interior is the perfect for them to enjoy a bit of ‘me time’. The Sharan was essentially a transit van with windows cut out of the side panels and seats welded into the back. A Creative Director’s job isn’t to just oversee the creative work, it’s to be the conduit between the creative and other departments. So, if a brief comes in that you don’t think you can turn into credible creativeRead more