BOSS No.6: Tim Delaney.

  Why advertising? I wanted to be a hotel bell hop boy when I left school at 15. But when I looked in the newspaper want ads – Junior Opportunities – they only had 2 ad agency messenger jobs. I went up to London and one of them offered me a job. What was your first job in advertising? A messenger- in a tiny basement room with 4 others. Quite Dickensian,when I look back. Did you try and get intoRead more

INTERVIEW: Andy McLeod.

Why advertising? I was quite quick tongued, bright at school, without being very academically gifted or driven. I cared about ‘stuff’ in general, zeitgeisty stuff; trends, tribes, what was cool what wasn’t, what was funny what wasn’t. I liked art and English at school and not much else. Got not very good A-level grades, which led me to Bristol Polytechnic to do a two year course in Business studies with advertising. The advertising bit of it was 1 hour aRead more

THE ECONOMIST: Venn diagrams.

The Economist was an open brief at AMV.  It meant that everyone in the creative department worked lunch hours, weekends and in downtime on posters for The Economist. This had been going on for about ten years. I turned up as Creative Director on the account, about ten years into the ‘Red Campaign’. I’d estimate that on average I’d approve one out of every fifteen ads I was shown. We’d need a campaign of ten posters to run every threeRead more

IPA POSTERS: Investment opportunity.

It’s tough for newbie creatives to get noticed. If you aren’t in an agency that produces good work it’s hard to produce good work. If you don’t produce good work it’s hard to get a job in an agency that does. One of the ways around this is to find a client that will accept good. Up and coming copywriters Mike McKenna and Alastair Wood spotted one of these opportunities back in the late eighties; The IPA Society, they heldRead more

MERRY DOWN: Year 1.

“We have a bit of an image problem with Merrydown, its main constituency appears to be students and street tramps.” Chris Carr, Merrydown Chairman. These were the only Merrydown ads we could remember seeing. (Written by Chris Wilkins.)Six sheets and fly posters were booked, so posh, long copy ads like those were out. The creative department came up with various routes, some good, some less so. Who’d have time to look at a picture, read the explanation below, then check out whoRead more

ANNUALS: D&AD 2012.

Being chosen as one of fifty people to pitch an idea for the cover of the D&AD’s 50th Anniversary Annual is great for the ego. What a great list to be on: Terry Gilliam, Sir John Hegarty, Bob Gill, Wim Crouwel, Sir Paul Smith, Phillipe Starck Neville Brody, Dave Droga, etc. AMAZING! Then comes the anxiety. What the hell am I going to do? The results will be very public and I’m up against 49 of the best people in theRead more

ANNUALS: D&AD 2004.

In 2004 Nick Bell became President of D&AD, one of his first duties was to choose the designer for the next annual. He chose me, or CDD to be more precise. Back in 2004, the D&AD Annual was one of the few places you could get a concentrated hit of good advertising and design, consequently they were collected. Getting the chance to design one was a great honour. 1st IDEA: If a thought is printed in the D&AD Annual it’s considered out ofRead more